Tide began as a floor lamp design but failed due to cost and technical constraints. I preserved its "imperfect" structure shaped by 3D printing limitations, transforming it into a symbolic sculpture that challenges manufacturing boundaries. it questions whether art must be perfect: as a product it may have failed, yet its existence transcends the pursuit of perfection.

The obsession with perfection is merely a human construct, while the
world quietly quides us to embrace the beauty of natural change.